Rob Jungklas Memphis, Tennessee
It seems that Jung Klas a man of extremes who have emotions and soul torments rush through blood and nerves as music. Sometimes he sounds like a lost soul or like a wounded animal that wants to shake his skin. Away from him
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The Strangest Light
by The Ashtray Hearts
supported by 5 fans who also own “Crossing Over”
A beautiful and refined album on which the Ashtray Hearts continue to blend alt-country with Americana and folk sounds to produce something intensely captivating and personal. Great layered acoustic and electric guitars, piano and drums.
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J.T.
by Steve Earle & The Dukes
supported by 4 fans who also own “Crossing Over”
The best I've heard from Steve Earle in a while. The songs have a subtler, earthier tone, tastefully rendered in authentic sounding country/blues/bluegrass stylings. 'J.T' reminds of earlier records like 'Feel Alright' or 'Train a Comin'. Deep grief, love and compassion is felt on the final track, the only composition from Steve, seemingly written for his son. The rest, composed by JT, do confirm what a great songwriter he really was.
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Gold Century
by The Ashtray Hearts
supported by 4 fans who also own “Crossing Over”
There's a lot of heartbreak in these memories; their slow pace is often poignant but never without truthfulness, and the arrangements are sparse yet full of texture and life. A fine album for those desiring a quiet listen to some honest music.
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no place that feels like
by Ellis
Another devastatingly beautiful batch of indie rock confessionals from Ontario singer, producer, and multi-instrumentalist Linnea Siggelkow.
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The experimental rock band's new record is as melodic and inventive as ever, but now with an even more honed sense of play.
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Ross J. Farrar of Ceremony creates dubby outside punk evoking the minimalism of Young Marble Giants on his second solo record.
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Have Some Shame
by don't get lemon
Gutsy New Romantic synthpop from Austin, Texas with hooks and heartache galore.
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